Film portal. Categories : in film Film by year. Hidden categories: Articles with short description. Namespaces Article Talk. Views Read Edit View history. Help Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. List of years in film. In home video In television Captain America: Civil War. The Jungle Book. The Secret Life of Pets. Batman v Superman: Dawn of Justice. Fantastic Beasts and Where to Find Them. Hollywood Foreign Press Association.
Beverly Hills , California, U. Broadcast Film Critics Association. Santa Monica , California, U. Swedish Film Institute. Producers Guild of America Awards Producers Guild of America. Academy of Cinematographic Arts and Sciences of Spain. Directors Guild of America. African-American Film Critics Association. Writers Guild of America Awards Writers Guild of America. Manhattan , New York, U. British Academy of Film and Television Arts. International Press Academy. Academy of Cinema Arts and Techniques.
Independent Spirit Awards. Golden Raspberry Awards. Academy of Motion Picture Arts and Sciences. Gay and Lesbian Entertainment Critics Association. Mexican Academy of Film Arts and Sciences. Africa Film Academy. Port Harcourt , Rivers State , Nigeria. Berlin International Film Festival. Berlin , Germany. Cannes , France. Karlovy Vary International Film Festival.
Karlovy Vary , Czech Republic. Sarajevo Film Festival. Sarajevo , Bosnia and Herzegovina. Toronto International Film Festival. Toronto, Ontario , Canada. Tallinn Black Nights Film Festival. Tallinn , Estonia. La La Land. Damien Chazelle La La Land. Casey Affleck Manchester by the Sea. Ryan Gosling La La Land. Denzel Washington Fences. Natalie Portman Jackie. Isabelle Huppert Elle. Emma Stone La La Land. Mahershala Ali Moonlight.
Aaron Taylor-Johnson Nocturnal Animals. Dev Patel Lion. Viola Davis Fences. Eric Heisserer Arrival. Luke Davies Lion. Kenneth Lonergan Manchester by the Sea.
Kubo and the Two Strings. La La Land Justin Hurwitz. The Salesman. Warren P. Boonie Bears III. Fifty Shades of Black. The Finest Hours. Dad's Army. Pride and Prejudice and Zombies. China Film Group Corporation. Warner Bros. Midnight Special. Miracles from Heaven. Eddie the Eagle. The Boy and the Beast. Cemetery of Splendour. The Other Side of the Door. Whiskey Tango Foxtrot. Everybody Wants Some!!
The Perfect Match. My Big Fat Greek Wedding 2. The Divergent Series: Allegiant. The Huntsman: Winter's War. Pure Flix Entertainment. Fox Searchlight Pictures. Mother's Day. Barbershop: The Next Cut. Malcolm D. Florence Foster Jenkins.
Jerrica Cleland, Kevin Munroe directors ; T. The True Memoirs of an I Get the latest on upcoming movies before everyone else! Subscribe Now. Mohenjo Daro is an epic love story set in the Indus Valley civilization. While being a long-waited love story, there are in fact more to expect than just romance. Author: Bertha Miller Updated on Dec 30, Desperate for the biggest movies to add to watch list?
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A family in s New England is torn apart by the forces of witchcraft, black magic, and possession. PG min Biography, Drama. The story of the life and academic career of the pioneer Indian mathematician, Srinivasa Ramanujan, and his friendship with his mentor, Professor G. R min Comedy, Drama, Romance. It remains reliably funny throughout with various riffs and wisecracks provided by Wilson, Holm and the always charming Mann. It's nothing crazy that we haven't really seen before, but in some ways it is.
It's surprisingly not very predictable and its humor plays on self-awareness. Just get past the first act and it's pretty much smooth sailing from then on out. R min Comedy, Drama, Mystery. A brother and sister return to their family home in search of their world famous parents who have disappeared. In the s the X-Men must defeat an ancient all-powerful mutant, En Sabah Nur, who intends to thrive through bringing destruction to the world.
R min Crime, Drama, Thriller. A couple finds themselves lured into a Russian oligarch's plans to defect, and are soon positioned between the Russian Mafia and the British Secret Service, neither of whom they can trust. Its unfortunate the film seems to have sneaked in under the radar: I wonder why the producers didn't cash in more blatantly on The Night Manager's success. PG min Biography, Drama, Sport. Jesse Owens' quest to become the greatest track and field athlete in history thrusts him onto the world stage of the Olympics, where he faces off against Adolf Hitler's vision of Aryan supremacy.
If only they could change that insipid title. R 98 min Crime, Drama, Thriller. Financial TV host Lee Gates and his producer Patty are put in an extreme situation when an irate investor takes them and their crew as hostage. PG min Action, Adventure, Fantasy. As an Orc horde invades the planet Azeroth using a magic portal, a few human heroes and dissenting Orcs must attempt to stop the true evil behind this war.
It has its flaws, yet a lot more to admire. Well done Duncan Jones! R min Action, Comedy, Crime. In s Los Angeles, a mismatched pair of private eyes investigate a missing girl and the mysterious death of a porn star.
The general behind that bushy moustache? Laurence Olivier, of course. That recruitment drive chanteuse? Maggie Smith. What A Luvvie War might have been a better title. But stardom aside, it adds up to an indictment of the War's immeasurable suffering that's both scathing and deeply moving. If the chronological approach gives it an occasionally episodic quality, Attenborough choreographs it all with such flair and compassion that it feels like the world's most dazzling history lesson.
Filled with the hummable tunes from the trenches and boasting one of the most heartbreaking final shots in cinema, it's an unsung epic. Ostensibly a movie about the Manchester music scene between ''92, 24 Hour Party People spends more time mocking its lead character and narrator, record label owner Tony Wilson played by Steve Coogan , than relaying the stories of Joy Division, New Order and Happy Mondays, all of whom passed through his orbit.
But as you roll on the floor laughing when Tony crashes into a tree while riding a hang glider, or gets caught by his wife in the back of a "nosh van" getting "oral pleasures" from a stranger, you really don't mind how much '90s pop culture gets brought to life — or whether what is shown on screen actually happened in the first place.
Deftly directed by Winterbottom , 24HPP as no-one ever calls it is far, far funnier than anyone should ever expect a biopic to be. If you can call it a biopic. Or expect anything of it at all, really We all know that Gary Oldman is an actor's actor — he's established his reputation beyond doubt over the past three decades — but this as yet sole effort as auteur shows that he's an actor's director too.
A disturbingly honest and unflinching look at the practice and results of domestic violence, this gave Ray Winstone an astonishing chance to shine and established him as both a hardman and an actor capable of great subtlety and range even as he plays someone capable of neither. But no less capable is Kathy Burke, previously best known for TV comedy, who gives a three dimensional performance in what could have been a simple "victim" role.
It's not a feelgood effort - quite the opposite — but a semi-autobiographical exorcism of the demons of Oldman's own south London upbringing that shows a side of life that we might all prefer to ignore.
Few debuts are this powerful or memorable. There are many teen comedies, and teen sex comedies. None, however, come close to Gregory's Girl , a story of love and lust burning in all its teenage intensity that manages both realism and unspeakable hilarity without ever forgetting to sympathise with its subjects.
John Gordon Sinclair is the youngster struck down with adoration for the gorgeous, football-playing Dorothy Dee Hepburn , while Grogan plays Susan, Dorothy's friend and a far better bet for the awkward Romeo.
It's a familiar set-up, but it's almost never been as beautifully observed or intelligently written as it is here, for which all credit to Bill Forsyth. After all, dates that involve aimless walks and visits to the chip shop will ring just a little bit more true-to-life than American cinema's endless parade of proms, beach parties and sporting events. View it as a companion piece to the director's Local Hero , and settle yourself in for some of the most convincing real-life laughs you will ever see on film.
Elegant and measured storytelling secures Tomas Alfredson's Cold War thriller a spot on the list. Led by Gary Oldman 's buttoned-down George Smiley "It's a sitting down role," as he describes it , it's an old-fashioned search for a mole among the top spies of "The Circus", something made more difficult by the fact that he's officially retired.
Also, of course, the suspects are some of Blighty's finest actors, from Colin Firth to Toby Jones and Ciaran Hinds, while the pawns at stake include Mark Strong, Benedict Cumberbatch and Tom Hardy, so they're not going to be easy to read.
With that lot on top form, Alfredson might have been forgiven for just pointing the camera at them and giving up, but in fact he crafts a grimy, distinctly '70s London in muted tones and dim shadows and gives the whole thing a sheen of undoubted quality. There's a cruel irony in the fact that Terry Gilliam 's hymn to non-conformity ran smack into huge studio pressure to conform to audience expectation.
Specifically, Universal's grande fromage Sid Sheinberg believed that its ending was too bleak and needed less, well, bleakness. Being Sid Sheinberg he was in a position to force through his infamous 'Love Conquers All' edit, unwittingly providing Gilliam's unique sci-fi with the Big Brother figure it didn't boast on screen. Sheinberg had less luck foisting a new title on the film — the director himself combed through numerous ideas, the Orwell-referencing '' amongst them, before settling on a sideways reference to a pre-war ditty called 'Aquarela do Brasil' — but he let the film fester so long on the shelf that Gilliam was reduced to begging for its release in trade press ads.
On the other side of the Atlantic, audiences were reveling in a dystopian vision that's since been referenced by everyone from the Coen brothers to Alex Proyas. Like Metropolis with a whole lot more paperwork, it's a melon-twisting vision of a future bureaucracy gone crackers.
On paper, a comedy about radicalised British Muslims blowing themselves up during the London Marathon shouldn't be funny, but with Chris Morris at the helm, nothing can be taken for granted — not even gags about bomb construction or exploding crows. Morris pulls off an incredible trick in extracting comedy from catastrophe with the help of a talented cast, Kayvan Novak to the fore as the earnest Waj with Nigel Lindsay as irascible convert Barry.
Morris teases out belly laugh after belly laugh from characters rather than crudeness, sympathy rather than distain, all whilst making a point about the nature of terrorism. For this amazing balancing act alone, Four Lions deserves a place up there with The Life Of Brian in the contentious comedy hall of fame. Sure, the somewhat inevitable ending wouldn't be found in most 'how-to-make-a-money-spinning-comedy' handbooks, but in Morris's masterful hands, you're guaranteed hysteric giggle fits as well as some heavier head scratching.
You have to get past the imitators and the spoofs, because this Merchant-Ivory classic inspired legions of both, but if you can you'll find this sumptuously shot, beautifully understated drama is worth the effort.
Forget Hannibal Lecter: this is Anthony Hopkins ' finest performance by a country mile. As the buttoned-down butler who places propriety about everything else in his life, his turn is so restrained he might as well be wearing a straitjacket, but underneath his every mood is clear, if you're paying attention, as he negotiates fascist sympathisers, American newcomers and Emma Thompson's strong-willed housekeeper.
The Kazuo Ishiguro novel already provided the elegiac sense of melancholy and missed chances, but this adaptation adds beautiful visuals and a polished sheen that even Hopkins' Steven would admire. Hammer's take on the big daddy of the vampire world assuming vampires have fathers is sexier and gorier than any previous adaptation, and most subsequent efforts. Christopher Lee makes an imposing, fiery Count, pitted against Peter Cushing's cool, cerebral Van Helsing in a battle for the soul of Mina Harker and any other comely wenches who happen to cross his path.
It's a pacy retelling of the story, only pausing for a moment here and there as Dracula looms threateningly over someone's neck, and it has a rich score that keeps the blood pumping.
The Count's gruesome end, flesh peeling and melting in the sun, is an iconic horror image and did much to establish the Hammer style. The story, by E. Nesbit, is a children's classic, and this is the definitive film version.
A family are thrown into poverty and forced to move to the country when their father is accused of treason, but inbetween playing on the railway lines Kids: don't try this at home and various acts of minor heroism, they become accustomed to their new life. Winning over recalcitrant station master Bernard Cribbins and befriending strangers on trains proves to be its own reward in the end, building to a happy ending that still brings a tear to the eye.
Seriously, if you don't well up a little when Jenny Agutter, looking through the steam, spots her father and cries, "Daddy, oh my daddy" we can only assume it's because you had your tear ducts surgically removed. There's epic, there's really epic, and then there's Gandhi. As befits one of the most important figures of the 20th century, and certainly one of the most admirable among those figures, Richard Attenborough approached this biopic determined to do justice to both the Mahatma's lofty ideals and also the sheer scale of his achievement.
So star Ben Kingsley gets to bring Gandhi to life over a year period, starting from the earliest glimmerings of his political conscience to his eventual assassination, surrounded by some of the best actors ever to grace stage or screen. Along the way Gandhi brought independence to India, pioneered peaceful protest on a massive scale and provided a new benchmark for idealists everywhere. Kingsley's performance is extraordinary, but he's backed up by Attenborough's sweeping cinematography and enormous ambition - there are hundreds of thousands of extras in that funeral scene, dwarfing even the armies of Isengard for scale.
It's a mad benchmark that, in these digital days, will never be threatened, but it's hard to think of a more worthy subject. Five Oscar nominations are tribute to a none-more-British film about the Blitz that found an appreciative audience on both side of the Atlantic.
Seen through the eyes of ten year-old Billy Sebastian Rice-Edwards , John Boorman's autobiographical movie turns London's bombed-out suburbs into a giant adventure playground for schoolboys. An interesting — and wistful — companion piece to Steven Spielberg's Empire Of The Sun , filmed just down the road at almost at the same time, it's full of visual snapshots of an extraordinary time in England's past, a sepia photo album brought back to life. It's full of startling visual cues, too.
Witness the sudden blast of a Luftwaffe bomb unfolding in horrifying slow-motion or the dead fish floating for Billy and his sister to collect after a rogue bomb lands in the river. But the randomness of the war's impact is best captured by the discovery that another rogue bombs means school is out - permanently.
See, war isn't always hell, especially when it gets you out of double maths. Thanks at least in part to his movie, everyone knows what happened next.
Pol Pot and the Khmer Rouge emerged from the smoke and turned one of the most beautiful countries on Earth into a boneyard. Down the road, Brando's Kurtz may have been murmuring about "the horror" but here it was, up close and brutally impersonal. Schanberg may have won that Pulitzer for his reportage, but Haing Ngor's fearless journo is the beating heart of the story - and the film.
In a tragic coda, the man who played him, first-time actor Haing Ngor, was gunned down on an LA street 22 years later. Before he moved across the Pond and made Midnight Cowboy and Marathon Man , John Schlesinger presided over one of the greatest hitting streaks in British cinema. The first of these remains influential to this day, Tom Courtenay's Walter Mitty-like smalltown boy with big plans a prototype for a thousand British dreamers. Ricky Gervais cites Billy Liar as an inspiration for Cemetery Junction 's bored twentysomethings, but the quirky supporting cast of motley Brits, from Leonard Rossiter's lugubrious mortician to Leslie Randall's catchphrase-spouting telly personality "It's aaall happening" , are building blocks for Gervais's great sitcoms too.
Billy, though, is Schlesinger's tour de force and the director drew Courtenay's greatest performance as the lovable romantic who just happens to machine gun anyone who frustrates his plans in his dreams, of course.
Funny and melancholy, it's a poignant hymn to broken dreamers. When confronted with the working practices of the famously Method Dustin Hoffman on Marathon Man , Sir Laurence Olivier is said to have drawled, "Try acting, dear boy; it's easier.
This celluloid record of his Hamlet gives us some idea why: directed by Olivier himself he was also an early multi-hyphenate at the height of his powers and beauty, this is still a compelling portrait of the Dane, however far acting styles have changed since then.
While Kenneth Branagh's Hamlet is richer in location and outdoor scenes, it's so much window dressing beside the still-gripping power of the story itself, and there Olivier excels. Out went the mystifying Quantum and its devious plan to do something or other in Bolivia; in came the arch and motivated Silva Javier Bardem to add a much-needed dose of theatricality and threat to the franchise.
Craig seems re-energised, neon-lit in one virtuoso Shanghai sequence and mixing the debonair with the deadly as the story races from one affectionate Bond homage to another. It speaks volumes for Hitchcock's thrillers that they have a habit of reappearing in modern-day threads. All three are a handy reminder that no-one does Hitchcock like the man himself: for timeless characters and devilish schemes, he's just peerless.
Boarding his train-bound thriller are folk musicologist Gilbert Redgrave and his new companion Iris Lockwood , a smart woman heading home to marry her "blue-blooded cheque chaser", who find them themselves trapped among some trigger-happy agents. When fussy governess Miss Froy Whitty mysteriously vanishes from the dining car, the sparky pair get their amateur sleuth on to track her down. Based on the lit-class-staple novel by William Golding, Lord of the Flies follows a group of schoolboys who are marooned on an island, without rules or society to keep them in line.
They have to survive the elements — and each other. In addition to the version, there's a remake that stars Balthazar Getty. This adventure tale has everything: shipwrecks, pirates, a tiger, and one envy-inducing island treehouse. It's also one of the least grisly survival tales, so you can watch it with the whole family. Product Reviews. Home Ideas. United States. Type keyword s to search. Today's Top Stories. Advertisement - Continue Reading Below.
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