If you prefer to enter each spot manually, the advanced manual scheduler will save you time by giving you instant overviews of your schedule. MCNs will need to become more like traditional TV networks in order to carry on. To be blunt, we aim to disrupt the market to such an extent that the MCNs will simply not be able to operate if they don't join Zenither because all the biggest YouTube creators will be removing their content from YouTube and choosing to make it exclusively available on Zenither, which will be the absolute best place for them to make money with their content.
The other thing to consider is that several MCNs have tried and failed to build their own independent video streaming platforms. These efforts have failed primarily because the size of the audiences these MCNs attract are not larger enough to support the operation of a video streaming platform and justify the cost of paid subscriptions or even support advertising revenue.
We think the MCNs should instead operate as part of a package bundle deal like cable stations do. This is why we're using the cable TV carriage fee model for Zenither premium subscriptions. We believe this model has demonstrated itself to work in the traditional TV industry and there is no reason it cannot work if a platform is developed specifically to bring this kind of model to the internet. As services like Sling TV and YouTube TV have demonstrated, the model can work but the majority of MCNs are locked out of operating stations on these services because they are deals meant to attract traditional media companies and their audiences.
They are not aimed at servicing the needs of indie content creators like YouTube stars and the MCNs that work with them. We realize the average person is unfamiliar with the operations of the entertainment industry but you should try to be more open minded. Helping any large group of business owner has a positive impact on the economy. It is possible that the way you think the TV industry works is not accurate. We've met people who think actors and directors get all the money, when in fact this simply isn't true.
But when folks like YouTube creators don't generate fair earnings for their content they cannot add their own contributions to this equation very well, as with fewer profits they have difficulty funding the production of high quality content. The core reason many YouTube creators primarily make video blogs in their bedrooms and don't make serial scripted content despite having hundreds of thousands of subscribers is because they just don't make enough money to do so using AdWords monetization.
Consequently they cannot regularly hire production crews, catering services, rent hotel rooms, costume designers, prop makers, make up artists and so on which are essential for producing scripted serial content.
The production of movies and TV shows is a manufacturing process involving a lot of different occupational specialties, which is why the creation of these shows is so expensive. When YouTube creators do not produce much revenue they simply cannot hire these people to help them manufacture content. We believe Zenither's model will make it easier for the next generation of content creators to produce serial scripted content and consequently contribute to their local economies.
So the best way to think of Martell Broadcasting Systems Inc. It will be a very great thing! Users interested in making a Station will be able to apply through a form on our website.
This proof can be a catalog list or a link to their existing YouTube channel. Although it's a manual review process, don't think we're going to be trying to make a super exclusive platform.
We're not. We expect there to be tens of thousands of Stations within the first year of launch. The barrier of entry is slightly higher than on YouTube for running a channel but that's only because our business model is different. We believe this will be a more effective model for most content creators than asking them to produce videos AND manage the marketing of those videos.
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Rights to purchase programs for free-to-air broadcast, especially via satellite, are often higher in price than for encrypted broadcast. The lack of FTA among public broadcasters are prevalent in countries whose broadcasters tend to use subtitles for foreign language programmes; although Spain's two public domestic channels, La Una and La Dos, are also encrypted despite dubbed foreign programmes being the norm in Spain.
However, these channels usually provide a scheme to offer free, but encrypted, viewing with free-to-view broadcasts. Certain programming on Italy's RAI , and the majority of Dutch channels are covered by such schemes although in the case of RAI some programming is transmitted without encryption where there are no copyright issues.
In Austria , the main national networks broadcast free-to-view via satellite; however, all regional and some smaller channels are transmitted free-to-air, and the national public broadcaster, ORF , offers a special free-to-air channel which airs selected programming without i.
As Germany and Austria speak the same language and use the same satellite, Austrian viewers are able to receive about free German-speaking channels from both countries. In general, all satellite radio in Europe is free to air, but the more conventional broadcast systems in use mean that SiriusXM style in-car reception is not possible.
Cable and satellite distribution allow many more channels to carry sports, movies and specialist channels which are not broadcast as FTA. The viewing figures for these channels are generally much lower than the FTA channels. Play games instantly, save progress, and earn achievements.
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