There are no reviews yet. More Details. The original Texas Chainsaw Massacre, is without a doubt in my mind, the most impressive horror film to date. No other horror film stays with you in the same way. You feel not only fearful for the characters, but at times feel afraid for your own safety. The natural lighting and loose, improvised acting style creates a strong sense of reality that no other horror film can possibly achieve.
Under a thin layer of dated aesthetics style of dress lies the most dangerous, horrifying and psychotic world ever committed to script or screen. As the first of its kind, this movie set the mold for the modern horror film, though none were ever to realize any comparable distinction. It gave birth to the "slasher" genre for better or for worse. It is also one of few timeless films that has managed to combine horror and avant-garde styles, successfully. Unlike its remake, this one is more of an exercise in minimalism and simplicity think even Dogme.
The air-tight script, jarring realism and attention to detail are unparalleled in practically any film, horror or otherwise. You truly believe in every single one of her screams that her life is hanging by a single, thin thread.
The crew had many prop chainsaws for actor Bryniarski to use, such as chainsaws that put out smoke, and live chainsaws. The consensus is: "An unnecessary remake that's more gory and less scary than the original. Manohla Dargis of the Los Angeles Times praised the polish of Pearl's cinematography in contrast to his grittier work in the original , though noted: "The remake moves faster and sounds louder, but comes off as callous rather than creepy.
There is not a shred of reason to see it. Those who defend it will have to dance through mental hoops of their own devising, defining its meanness and despair as 'style' or 'vision' or 'a commentary on our world'. Hooper went for primitive, Nispel goes for slick. Hooper went easy on the gore, Nispel pours it on" and called the film "soulless". The BBC 's Jamie Russell gave the film some praise, referring to it as "a gory, stylish, and occasionally scary push-button factory of shocks and shrieks remarkably better than anyone had the right to expect.
Yet, it begs the question: if the filmmakers could churn out something this decent, why didn't they shoot an original script, or even a sequel to Hooper's classic instead of a remake? Everything is as unsubtle as you like, and let's face it, unsubtlety is the order of the day. A two-disc Platinum Series Edition was also released that same day, containing a collectible metal plaque cover, three filmmaker commentaries with producer Michael Bay, director Marcus Nispel and others, crime city photo cards, deleted scenes , an alternate opening and ending, Chainsaw Redux: In-Depth documentary, Gein: The Ghoul of Planifield documentary, cast screen tests, art gallery, seven TV spots and trailers, heavy metal song Suffocate by " Motograter " Music Video, a soundtrack promo and DVD-ROM content, including script-to-screen.
Stephen Hand wrote a novelization that was published March 1, , by Black Flame. Jason , also for New Line and Black Flame. The second was the film's original score as composed by Steve Jablonsky. In the Lap of the Gods Martin Lawrence stars as polished seducer Darnell Wright, a hopeless, smooth-talking lady's man and chauvinist--who doesn't take no for an answer--and Lynn Whitfield stars as Brandi Web, the self-assured, knockout beauty who says "no" in this stylish blend of comedy, suspense, hip-hop night life and morning-after revelations.
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The film was written and directed by David Cronenberg and starred Jeff Goldblum as Seth Brundle, a scientist who has devised a way to molecular transportation. News on climate in the time of coronavirus Subscribe today. Crime movies create some of the most exciting, devastating, and enlightening stories to live within cinema.
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Bangkay Mo Akong Hahakbangan Dec. When she is found dead, he vows to take down the man responsible. Prom Night full movie online Extrasure The driver flees, and Sally escapes in the back of a passing pickup truck as Leatherface maniacally flails his chainsaw in the air in anger and defeat.
The concept for The Texas Chain Saw Massacre arose in the early s while Tobe Hooper was working as an assistant film director at the University of Texas at Austin and as a documentary cameraman.
Hooper has cited changes in the cultural and political landscape as central influences on the film. His intentional misinformation, that the "film you are about to see is true", was a response to being "lied to by the government about things that were going on all over the world", including Watergate , the oil crisis , and "the massacres and atrocities in the Vietnam War ".
Hooper and Kim Henkel cowrote the screenplay and formed Vortex, Inc. Parsley formed a company named MAB, Inc. Vortex made the idea more attractive by awarding them a share of its potential profits, ranging from 0. Many of the cast members at the time were relatively unknown actors—Texans who had played roles in commercials, television, and stage shows, as well as performers whom Hooper knew personally, such as Allen Danziger and Jim Siedow.
The lead role of Sally was given to Marilyn Burns , who had appeared previously on stage and served on the film commission board at UT Austin while studying there.
Icelandic-American actor Gunnar Hansen was selected for the role of Leatherface. To research his character in preparation for his role, Hansen visited a special needs school and watched how the students moved and spoke. The primary filming location was an early s farmhouse located on Quick Hill Road near Round Rock, Texas , where the La Frontera development is now located.
They wouldn't wash my costume because they were worried that the laundry might lose it, or that it would change color. They didn't have enough money for a second costume.
So I wore that [mask] 12 to 16 hours a day, seven days a week, for a month. The Texas Chain Saw Massacre was mainly shot using an Eclair NPR 16mm camera   with fine-grain, low-speed film that required four times more light than modern digital cameras. The crew covered its walls with drops of animal blood obtained from a local slaughterhouse. Burns drove around the countryside and collected the remains of cattle and other animals in various stages of decomposition, with which he littered the floors of the house.
The special effects were simple and limited by the budget. The crew had difficulty getting the stage blood to come out of its tube, so instead Burns's index finger was cut with a razor. However, the actor playing Grandpa was aiming for the floor rather than his victim's head. He stated that "everyone hated me by the end of the production" and that "it just took years for them to kind of cool off. Years later Bozman stated, "We made a deal with the devil, [sigh], and I guess that, in a way, we got what we deserved.
In New Line Cinema acquired the distribution rights from Bryanston and gave the producers a larger share of the profits. A distributor apparently restored the offending material, and at least one theater presented the full version under an "R". The Australian censors refused to classify the minute version of the film in June ;  the board similarly refused classification of a minute print in December that year. The Texas Chain Saw Massacre received a mixed reaction upon its initial release.
Linda Gross of the Los Angeles Times called it "despicable" and described Henkel and Hooper as more concerned with creating a realistic atmosphere than with its "plastic script". Berrigan of The Cincinnati Enquirer praised the lead performance of Burns: "Marilyn Burns, as Sally, deserves a special Academy Award for one of the most sustained and believable acting achievements in movie history.
Romero's Night of the Living Dead Critics later frequently praised both the film's aesthetic quality and its power. Observing that it managed to be "horrifying without being a bloodbath you'll see more gore in a Steven Seagal film ", Bruce Westbrook of the Houston Chronicle called it "a backwoods masterpiece of fear and loathing". He pointed out how the quiet sense of foreboding at the beginning of the film grows, until the viewer experiences "a punishing assault on the senses".
It has often been described as one of the scariest films of all time. The site's critical consensus states, "Thanks to a smart script and documentary-style camerawork, The Texas Chainsaw Massacre achieves start-to-finish suspense, making it a classic in low-budget exploitation cinema.
The Texas Chain Saw Massacre is considered one of the greatest—and most controversial—horror films of all time,   and a major influence on the genre. Leatherface has gained a reputation as a significant character in the horror genre,   responsible for establishing the use of conventional tools as murder weapons and the image of a large, silent killer devoid of personality.
Critic Christopher Sharrett argues that since Alfred Hitchcock 's Psycho and The Birds , the American horror film has been defined by the questions it poses "about the fundamental validity of the American civilizing process",  concerns amplified during the s by the "delegitimation of authority in the wake of Vietnam and Watergate ".
Robin Wood characterizes Leatherface and his family as victims of industrial capitalism, their jobs as slaughterhouse workers having been rendered obsolete by technological advances.
In Kim Newman 's view, Hooper's presentation of the Sawyer family during the dinner scene parodies a typical American sitcom family: the gas station owner is the bread-winning father figure; the killer Leatherface is depicted as a bourgeois housewife; the hitchhiker acts as the rebellious teenager.
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